That is exactly right. It is indeed the first Twilight Zone western. Where "death" was personified in the previous episode, "fate" would be personified as Henry J. Fate, a peddler in "everything", in this episode. Both Mr. Fate and Mr. Death seem to be as pragmatic and objective in the Twilight Zone, as any good, moral, and professional man from the 1950s. Mr. Death finalizes the paperwork for his claim (with option for appeal, of course) and Mr. Fate makes an offer that simply cannot be refused. All this begs the question...what might be behind the objective curtain? Hhmmmmm...reminds me of the blurred line between a Made Man and a Politician.
Regardless, Serling's "simple twist" of fate(s) provide an opportunity not just for redemption, but also for genuine repentance from a life of violence.
Check out the younger Martin Landau in the top frame. Outstanding performance.
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